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An archaic action film. Dancing while undressing on the way to go pee, all to the rhythm of a soundtrack as disjointed as its images.

The Othered Scene starts with a question of language: to whom belong the words when they pass from one person to another through storytelling? Here the words trace back to the plague on Quemoy islands during the immediate post-war period in Taiwan. Two acts of digging lie at the heart of the tales: digging the grave and for the white clay. To uncover the anecdotes related to disease and death, this experimental documentary interweaves a 16mm film travelogue, meditation on archive through charcoal drawing, electronic sound composition, and voice. In assembling the pieces of memories and historical sources, The Othered Scene is part of a work in progress for setting loose the identity of the islanders from any firm historical narrative. The reminiscence of a plague survivor becomes the meeting ground for the fragments from the past of the island –– a field of infinite possibilities for the ritual of narration.

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Police cadet Fred Leprince is found dead inside the police academy. His sister Émilie, also a cadet there, doesn't believe the suicide theory.

Bastien du Boccage is a repeat offender: hasn't he been sent to jail no fewer than six times? But he is no ordinary criminal mind you. As a matter of fact he is a newspaper editor and should have no problems with justice. The trouble is that he has a sister, Lucrèce, who is agony aunt in his newspaper and who tends not to mince her words. To make matters worse, Francine, his daughter, has fallen in love with Bruno, a penniless student and Lucrèce is prepared to do anything to prevent her marriage..

French independent director Paul Vecchiali playfully bites the hand that periodically feeds him (and many of the nation's other creative filmmakers) in this dark comedy. Writer and director Vecchiali stars as a moviemaker named Paul Vecchiali, who is trying to complete his latest project, a dramatic love story about a young couple whose relationship is complicated by the man's addiction to drugs. Short on funds, Vecchiali approaches the National Cinema Center, who offer loans and grants to independent filmmakers whom they believe are deserving. The NCC is less than impressed with Vecchiali's latest script, and they turn him down, just as they have done a number of times in the past. Angry and determined that the NCC will never break the spirit of another director, Vecchiali and his crew block out a plan to assassinate the nine members of the funding board, though the press and public seem more bemused than outraged by the sudden rash of killings.

A young woman is sure that her son is alive

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故事将聚焦在一对当代美国夫妇，重新审视爱情、憎恨、欲望、一夫一妻制、婚姻及离婚等题材。